I've been enjoying reading Joan Didion's essay collection Slouching Towards Bethlehem (1968). Here's one of my favorite, horror-esque passages that reminds me of why I set Wormwood, Nevada in the desert:
Let me tell you what it is like out here tonight. Stories travel at night on the desert. Someone gets in his pickup and drives a couple of hundred miles for a beer, and he carries news of what is happening, back wherever he came from. Then he drives another hundred miles for another beer, and passes along stories from the last place as well from the one before; it is a network kept alive by people whose instincts tell them that if they do not keep moving at night on the desert they will lose all reason. Here is a story that is going around the desert tonight: over across the Nevada line, sheriff’s deputies are diving in some underground pools, trying to retrieve a couple of bodies known to be in the hole. The widow of one of the drowned boys is over there; she is eighteen, and pregnant, and is said not to leave the hole. The divers go down and come up, and she just stands there and stares into the water. They have been diving for ten days but have found no bottom to the caves, no bodies and no trace of them, only the black 90° water going down and down and down, and a single translucent fish, not classified. The story tonight is that one of the divers has been hauled up incoherent, out of his head, shouting – until they got him out of there so that the widow could hear – about water that got hotter instead of cooler as he went down, about light flickering through the water, about magma, about underground nuclear testing.